A New Beginning

Dance Review: Adrienne Truscott’s “genesis, no!” @ DTW

There are gaps in Adrienne Truscott’s “genesis, no!,” which had a reprise mounting last week at Dance Theater Workshop, having first run at P.S. 122 last spring. The work, a kind of anthropological rumination on human culture, uses theatricality to isolate activities from their real-world, analogous contexts, and [...]

Maybe (this dance will last) Forever

Cynical Dance Review Written In Internal Commentary: Meg Stuart/Philipp Gehmacher “Maybe Forever” @ DTW














Hmm, interesting…


Kids Incorporated

Dance Review: Miguel Gutierrez and The Powerful People, “Everyone”

(Photo by Alex Escalante)
Miguel Gutierrez must know he’s doing God’s Work, in terms of dance. That is to say, his dance works, if he continues to make them as he has been, will probably never draw the whoops and howls that, say, some of Ohad Naharin’s dances [...]

Time(s) To Dance: New Year Edition

We start off with Jennifer Dunning’s harsh on Fresh Tracks
Then Elizbeth A. Harris reports on a shot-on-the-streets film version of Jerome Robbin’s “Opus Jazz,” coming to you via NYCB dancers Ellen Bar and Sean Suottzi and director Ariel Schulman
Claudia La Rocco has some words for Prometheus Dance’s political mishit and uncredited projections
Then, L. Ro gets [...]

Snooze Control

Seriously, you guys. We totally just woke up after nearly two weeks of not reading a single article on the arts, with two exceptions. So maybe it’ll take a few days for us fully to get back into the swing, you know?
In the mean time, here are a few things to check out in The [...]

THE 2007 COUNTER CRITIC AWARDS OF THE YEAR AWARDS

We know we’ve only been in action since May, but we’ve been toiling away like little Christmas elves to bring you the badest, most awesomest, completely ridiculous critical commentary out there. We’ve laughed, we’ve cried, we’ve tore a few new holes. But mainly, we’ve been genius. So we’re going out in 2007 by honoring the [...]

Dunning Likes It!

Sweet.
Here’s D-Dog’s review of Pichet Klunchun and myself, which we just reviewed/dissertated upon. Although Jennifer Dunning’s piece reads more like a cruise brochure description, she does give it a “must-see” rating.
Wink!

That’s Why I Want To Disappoint You

Dance Review: Jerome Bel’s Pinchet Klunchun and myself at DTW

(Photo by Chris Woltmann)
Do yourself two favors: 1. Don’t read this review. 2. Go and see Jerome Bel’s Pichet Klunchun and myself at Dance Theater Workshop, presented in partnership with Performa 07. Then read this review.
Of course, I usually try not to discourage readership [...]

The Glory of Sport, And the Unexpected Beauty of its Contenders

Dance Review: David Neumann’s feedforward at DTW
If there is an argument in the dance world that pits those who believe dance need only to be aesthetically beautiful in a simple, if contemporary manner against those who desire a more intelligent investigation of movement as art, David Neumann’s feedward, a deeply felt meditation on athletics and [...]

Time(s) To Dance: Thursday Edition

Jennifer Dunning gets into breeding in her review of Ballet NY’s performance at the Miller Theater
The Cambodian “Magic Flute” taps camp, claims Kourlas
And Sulcas finally has a good time at a dance concert

(Photo of Donna Uchizo’s “Thin Air” by Nan Melville)