New York Mag registers its review of Sicko…and it’s a winner!
Seriously. I think this is the final tilt to the positive. Reading this review kind of made me think that trying to critique a documentary of this specific type through purely aesthetic ethics, might do a complete disservice to the culture that is intended to benefit from the information films like Moore’s provide. They aren’t meant to “show”, they’re meant to find out. In this light, Moore’s work is less art (all the stunts and creative editing aside) than it is investigative document: read evidence.
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